Tag Archive: Abstract

  1. Foraged Show & Tell

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    Foraged, is a collaboration between textile artist Annabella Sardelis and visual artist Annie Irene Hejny, two artists who have dedicated their lives to celebrating the natural beauty of Minnesota in their art. Their unique artistic process involves months of foraging for local plants to create natural dyes and pigments that grow abundantly around the Twin Cities. Foraged will premiere Hejny’s first body of abstract paintings created exclusively with handmade natural pigments rather than manufactured acrylic alongside Sardelis’ new line of wool scarves and an installation of sample specimens that the two women have collected on their journey.

    ✨?✨SHOW & TELL ✨?✨
    Saturday, November 16th • 11am
    Moderated by Carolyn Halliday
    $7 Pre-sale admission available, $10 door
    Annie Hejny & Annabella Sardelis host a hands on look into materials used to create that went into creating ‘Foraged’.
    Start your morning out with coffee, conversation and community. Learn about #jewelweed#buckthorn#elderberry#birch#sumac#walnut#tansy & #goldenrod.⠀⠀⠀⠀⠀⠀⠀

    GALLERY & GIFT SHOP OPEN HOURS
    SHOP THE COLLECTION
    Wednesday, Thursday, Friday & Saturday • 11am – 6pm


    Annie Irene Hejny is a visual artist who creates abstract paintings and drawings with natural materials. Rooted in a strong connection to the earth and her home state of Minnesota, She has successfully completed nearly 50 commissioned projects for galleries, private collections, and public institutions, both locally and nationwide, that utilize organic foraged materials. She has participated in several notable residencies and mentorship programs, and exhibited in many solo and group exhibitions. Her largest solo exhibition to-date at the Minnesota Marine Art Museum (2018) received 10,000+ visitors and one painting remains in the museum’s permanent collection. Hejny is currently a member of Form + Content Gallery in Minneapolis, MN.www.annie-hejny.com • @AnnieHejny

    Annabella Sardelis is a textile artist and founder of INDIGO & SNOW, a Minneapolis studio located in the Casket Arts building that is dedicated to sustainable design. In addition to producing hand-dyed and painted apparel, accessories and decor, she teaches natural indigo workshops with a focus on zero waste practices. She exhibits her work nationally and has been featured in the New York Times, Elle, and Apartment Therapy, as well as other publications. Her goal is to make the world a more beautiful place.www.indigoandsnow.com • @indigoandsnow

    Carolyn Halliday has been showing her work nationally and internationally for nearly two decades, earning a variety of awards. She was a 2013 fiscal year recipient of a Mn State Arts Board Artist Initiative Grant. In 2015 she was appointed the first member and Chair of the newly created National Artists Advisory Council for Textile Center. She was just announced as a recipient of Textile Center’s Spun Gold Award 2020, honoring artists and advocates for a lifetime of dedication to fiber art and textile center. Materiality, textile tradition stretched to the non-traditional, and ecological/evolutionary/biological concerns form the triad that drives Halliday’s art work. She uses the vocabulary of textiles to create sculptural forms that reflect her experiences with nature.

    Her work is in the collection of Minnesota Historical Society( 2001, 2006) and the Weisman Art Museum (2016). In spring of 2014, she was the featured visual artist for an episode of the televised tpt production Minnesota Originals. She was one of the showcased artists in the 2006 tpt production of Textile Center’s Artwear in Motion Runway Show. Halliday is a featured artist in the books: Sculpture, Artistry in Fiber, Vol.2; Knitting Art: 150 Innovative Works from 18 Contemporary Artists ; and How to Be a Feminist Artist: Investigations from the Women’s Art Institute. Her work has also appeared in Surface Design Journal,Interweave Knits, and Jacquard, a cura della Fondazione arte della Seta Lisio, Italy.

    She was trained in the Critical Response protocol while a protegee in the WARM Mentor program, which she has been facilitating for two decades. A mentor in the WARM and Textile Center Mentor programs, she continues to privately mentor artists. An artist who loves talking and thinking about art, Halliday has given and facilitated presentations in a range of venues. www.carolynhalliday.com • @artknitter

  2. TINT

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    Featuring Bret Brown, Cary Reeder, Human Shaped Animal, Monty Montgomery, NERS Neonlumberjack, Neal Breton and Nick Wilkinson.

    “I want to give something back to the artistic community. I saw what a great gallery Gamut was, and I wanted to share the value of exhibiting here with other artists from around the country.” – Neal Breton

    Curator and Artist Neal Breton met Gamut Gallery through blindly submitting and being selected in Gamut’s open Call for Work in fall of 2016. He quickly established a long lasting partnership with the gallery by participating in Sq2 the following year. Breton found the gallery to be an ideal venue for putting together TINT, a group show with color being its unifying thread, a concept he’s been developing for years.

    When Breton conceived the exhibit, he had something a bit different from the average show in mind. The world has become much smaller in recent years, and Neal’s goal was to bring a broad, worldly perspective in color together under one roof. To accomplish this, Neal and Gamut Gallery Director, Cassie Garner, selected artists approaching color from opposite poles. Half of the artists stick to geometric rules while the other half explores more organic forms. These approaches come together in a field of color to create a juxtaposition of forms that collide in a way that transcends reason and thought, encouraging the viewer to be present and experience the immediacy of the moment.

    Garner shared Breton’s goal and proved an ideal accomplice. “We workshopped a list of artists that we both wanted in the exhibit. That was the most fun part—it was like picking our favorite players to be on the team.” The vibrant out-of-state dream team roster includes artist Neal Breton, Monty Montgomery, Bret Brown, Cary Reeder, Human Shaped Animal, NERS Neonlumberjack, and Nick Wilkinson. Together they produce an exhibit full of textures, salvaged materials, paintings and sculptures that invite the viewer to appreciate the work through their eyes rather than their thoughts.

    EXHIBIT OPENING​​
    Saturday, May 4th 7-10pm, $5
    Featuring all OUT-OF-STATE ARTIST: Bret Brown, Cary Reeder, Human Shaped Animal, Monty Montgomery, Neal Breton, NERS Neonlumberjack, and Nick Wilkinson

    Elliot Park Art Walk
    Thursday May 9th, 5-8pm, FREE
    Take a tour through the Elliot Park Neighborhood and local shops

    Brush | Reed
    Thursday May 23rd, Doors 6pm, $5
    An aural visual experience collaboration between artist Linnea Maas and musician Dr. Jennifer Bill. Explore the parallels of painting and sound through live performance.

    7 Year Itch Birthday Party
    Friday, June 7th 7pm-11pm, $10
    Celebrate Gamut Gallery’s 7th year Anniversary
    With live music and entertainment 

    SHOP THE TINT COLLECTION TODAY!

     

     

     

     

     

     

     

     

     

     


    ABOUT THE ARTIST

    Neal Breton combines acrylic paint, gouache, and spray painting to create flat, simple fields of color. Starting with a sketch from the book he carries everywhere, Neal creates works that communicate as little as possible through detailed lines; he prefers to let the variance of colors create depth, shadow, and intention. Inspired by the color, flora, and fauna of California, where this native East Coaster landed at a young age, Neal also includes graffiti, early pop art, graphic design, architecture, and California’s strange and beautiful people among his palette of influences. Rather than chasing commercial success, this self-taught artist works with what speaks to him, crafting a series of notions that reflect the joy his creative process.

    Monty Montgomery uses his intuition about color and the physical relationships between objects to create an emotional language that connects the viewer with his work, art that reflects his Blue Ridge Mountain roots. Visceral and emotional reactions to daily experiences inform Monty’s work. Since his teen years, he’s expressed his perception of the external world by blending conflicting elements into seamless harmony through color theory, mathematics, and abstraction to create unique geometric style. 

    California-based painter/illustrator Bret Brown uses acrylic, oil, collage, photo-transfer, found object, graphite, ink, spray paint, and a variety of other media to create his symbolic, abstract, and at times playful art. Heavily influenced by Southern Californian pop, surf, punk, and skate cultures, Bret crafts personal, emotional, psychological paintings that are also influenced by the Buddhist concepts of scale invariance, samsara, impermanence, and interconnectedness. Shifting away from recognizable form, Bret utilizes a deconstructive process to inspire viewers to find multifaceted meaning in his work.

    After moving to Houston in 1996, Miami, Florida native Cary Reeder spent more than a decade as a graphic artist and typesetter. Her work has been featured in local, regional, and national juried exhibitions, and in solos shows at Mystic Lyon, Galveston Arts Center, Optical Project, and Lawndale Art Center. In 2013 she was awarded an Individual Artist Grant from the Houston Arts Alliance and in 2014 was a Hunting Prize Finalist. Cary has been featured twice in New American Paintings. She teaches at Art League Houston.

    After receiving a B.A. in Painting and Digital Design from Bloomsburg University in Pennsylvania, Human Shaped Animal aka ​Rachel Barnes​ packed up her soul and embarked on a journey cross country. After experiencing the West Coast, she became enamored of the region’s ever-changing landscapes and the energy they emanated. She relocated to Santa Cruz, where she dove into life as a mural artist creating large-scale work based on geometric shapes and the natural world, seeking the balance between the two. Rachel’s work integrates live, organic material with bold color schemes.

     

    NERS Neonlumberjack bikes suburban neighborhoods and city streets collecting detritus he uses to create his art. “When was the last time that you picked up something dead? A deceased butterfly, a bone found deep in the woods?” he asks. “Our curiosity is most certainly inviting us to the tactile sensation, the up-close study of the things we are supposed to fear.” His work indulges his own curiosity and love for specimens, and invites viewers to explore that curiosity for themselves. He adds pattern to salvaged materials—wood, bone, stone, feathers, canvas—to create an access point that invites viewers to look, to touch, to hold that bone. Though his work deals with death and the trashing of the planet, he also wants the viewer to experience the joy of the life that was part of the whole experience.

    Nick Wilkinson lives and works on California’s Central Coast. Beyond having a full time painting practice, and owning a specialty plant nursery, Nick has been Director of LEFT FIELD Gallery since early 2015. He has also shown his own work in galleries across the country. Notable exhibitions include Body High, a 3-person show at Tiger Versus Asteroid along side Rema Ghuloum and John Mills as well as many other group shows such as: Does It Make a Sound at Ochi Gallery in Ketchum Id, Zing Zam Blunder, Harbinger Projects, Reykjavik, Iceland, Curated By Brian Scott Campbell (2017); From Here, Flourescent Gallery, Knoxville, TN., Curated By Zach Searcy (2016); Out of the Great Wide Open, Museum of Contemporary Art, Santa Barbara, CA. (2015);  Ducks, curated by Ryan Travis Christian, Greenpoint Terminal Gallery, Brooklyn, NY (2014); Thresholds, SLO Museum of Art, SLO, CA. (2013)

  3. Seeing Voices

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    Seeing Voices: A Solo Exhibition from Jane Wunrow: An exhibit of works that explore the intersections and connections between dreams, migraines, psychology, and neurology.

    Jane Wunrow describes her migraines as a “waking dream,” where her fogginess, pain, and visual aura come together and force her to view the world in a different way, with perceptions of reality wholly altered. Migraines and dreams remain central to Wunrow’s artistic inspiration, not only due to their visual effects but also because of her interest in the science behind them. For the last several months Wunrow has immersed herself in a more clinical-based self-study of psychology’s discourse around dreams and neurology’s discussion of migraines in an effort to understand what causes them. Her artistic output on the subject culminates in the collection “Seeing Voices,” on display at Gamut Gallery February 3rd through March 3rd.

    Wunrow’s works are directly influenced by specific dreams or migraine aura she experiences, particularly those that surface subconscious fears, pains, or perceptions. While creating, Wunrow puts herself back into that mental headspace and taps into the emotions that she felt in that dream state, imbuing her works with raw feeling. The artist believes that viewers are perceptive to these contributions, and that the work would be ingenuine without this process, which she also cites as a method of working through the myriad of sensations that dreams create.

    While a familiar face in the Twin Cities art community, this is Wunrow’s first solo exhibition. As a full-time mother of three, the artist originally did not have a designated studio space, forced to work out of coffee shops. While limiting the scale and materials of her works, this allowed Wunrow to hone her craft and find her signature style. After receiving a grant from the Minnesota State Arts Board, Wunrow made the move to an artist studio space allowing for the scale of her work to increase dramatically, creating new challenges and navigations of materials. “Seeing Voices” ……places Jane Wunrow’s dreams and visual perceptions into the physical realm.

    Jane Wunrow is a fiscal year 2017 recipient of an Artist Initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and cultural heritage fund.


    EXHIBIT OPENING
    Saturday, February 3rd, 7-11pm, $5

    COLLECTOR TALK:
    BUYING & SELLING ART IN THE TWIN CITIES

    Thursday, February 22nd, 7-9pm, FREE
    RSVP seating sold out – Limited room available
    A panel discussion featuring Douglas Flanders, Herman Milligan, Kristi Abbott, Jade Patrick and Marco Suemnik

    ARTIST TALK
    Saturday, March 3rd, 2-4pm, FREE
    An artist talk with solo artist Jane Wunrow

    EXHIBIT FINALE
    Saturday, March 3rd, 2-4pm, $5
    Featuring 88 Project


  4. C4W:2017

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    FEATURED ARTISTS: Andy Baird, Natalia Berglund, Laurie Borggreve, Nelson Cain, Pat Callahan, Thomas Cassidy, Jennifer Chilstrom, Kat Corrigan, Lance Delao, Jacob Docksey, Addie Elling, Abigail Engle, Cory Favre, Jim “Marion” Foreman, Matthew Gaulke, Dianne Ginsberg, Joli Grostephan-Brancato, Jeffrey Hansen, Melissa Haroza, Angel Hawari, Trista Hendrickson, Genevieve Hess, Van Holmgren, Mathias Hughey, Jeremy Jones, James Kloiber, Nicholas Knutson, Femke Kuiling, Sam Larom, Caterina Marchionne, CL Martin, Renee Michele, Polly Norman, Angela North, Edie Overturf, Christopher Palbicki, Scott Roper, Benjamin Sagmoe, Kurt Schulz, Shye, Christopher Sorenson, Ellen Sweetman, Kao Lee Thao, Brooklynd Turner, Ross Wagner, Kari Weber, Russ White, Roger Williamson, James Zucco

    For Gamut Gallery’s annual “C4W: Call 4 Work” exhibition, we welcome Joel Coleman as guest curator. Coleman has been immersed in the local art scene with his tenure as the proprietor and curator of The Abstracted Art Gallery (2012-2014), and was familiar with the vast majority of local submissions. Currently, Coleman serves as a Made Here Arts Advisory Panel member, involved in the curation and installation of artwork in vacant downtown Minneapolis storefronts in partnership with the Hennepin Theater Trust.

    As in past years, the call for art is open to all visual media. The selected works for C4W: 2017 reflect that inclusive approach and include video, installation, sculpture, photography, fiber, drawing, and painting. While there is no predetermined theme in the submission guidelines, the guest curator brings their own unique perspective and interpretation to the submitted works. This personalized stamp brings forward an underlying style that visually and conceptually connects the works in the exhibition. Coleman’s curatorial aesthetic has developed a show of bold colorful creation, favoring strong linework and figurative representation.

    C4W: 2017 includes both artists familiar to Gamut as well as many newcomers, creating a diverse group of eclectic styles. A notable difference for this year’s exhibit is the quantity included; Coleman wanted to include as much artwork as possible, selecting a total of 66 works. Of the 49 featured artists, only 13 have previously shown at Gamut, leaving roughly 70% of the exhibiting artists new to the gallery. CL Martin, Christopher Palbicki, Benjamin Sagmoe, Natalia Berglund, Shye, Christopher Sorenson, and Russ White are among the familiar names. Exciting newcomers include Scott Roper, whose surreal acrylic paintings are so expertly done they appear computer generated at first glance; Jeremy Jones, creating large-scale sculptures that reference domestic life as a father; and Jennifer Chilstrom, co-owner of local boutique Showroom and fashion brand Kindred Folk.

    OPENING RECEPTION

    Saturday, November 4th 7-11pm, $5
    Featuring music from DJ Acemalyasian aka Ephraim Eusebio
    EXHIBIT FINALE
    Friday, November 17th 7-11pm
    $5 at the door or FREE with membership

    Featuring live music performances by jazz trio Amethyst 3, and solo guitar player Telulra Tyson